Molding (
At their simplest, moldings are a means of applying light and dark shaded stripes to a structure or object without having to change the material or apply pigment. The contrast of dark and light areas gives definition to the object. The aesthetic function is similar to that of go-faster stripes applied to the side of a vehicle. Together, these basic elements and their variants form a decorative vocabulary which can be assembled and rearranged in endless combinations. This vocabulary is at the core of both Classical architecture and Gothic architecture.
Imagine the vertical surface of a wall lit by sunlight at an angle of about 45 degrees above the wall. A concave cavetto molding against the wall will produce a horizontal shadow that is darker at the top and lighter at the bottom, whereas a convex ovolo molding will cause the shadow to be lighter at the top and darker at the bottom. Other concave moldings are the scotia and congé, and other convex moldings are the echinus, torus and astragal.
Bolection — a moulding which is raised, projecting proud of the face frame. It is located at the intersection of the different surface levels between the frame and inset panel on a door or wood panel. It will sometimes have a rebate (or rabbet) at the back, the depth of the difference in levels, so that it can lay over the front of both the face frame and the inset panel and can in some instances thus give more space to nail the moulding to the frame, leaving the inset panel free to expand or contract in varying climates, as timber is prone to do. Cable molding or ropework — Convex molding carved in imitation of a twisted rope or cord, and used for decorative moldings of the Romanesque style in
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